Why The Theater: Julia Fioravanti

By Julia Fioravanti Stage Management/Production Apprentice (This blog post is part of a continued series created by our apprentices about why they love theater) Why the theatre? This is not a new question for me. It is a question that I am constantly asked by my...

Why The Theater: Morgan Flynn

By Morgan Flynn Directing Apprentice (This blog post is part of a continued series created by our apprentices about why they love theater) I was probably first drawn to the theatre to satisfy my escapist needs. Throwing myself into roles in high school meant avoiding...

Why Theater: Coty Markee-Culbreth

By Coty Markee-Culbreth Scenic Carpentry/Technical Apprentice (This blog post is part of a continued series created by our apprentices about why they love theater) Truly, it’s hard to say why I love the theater. It’s sort of always been there. Ever since I was born, I...

Why The Theater: Maeve McCluskey

By Maeve McCluskey Stage Management/Production Apprentice (This blog post is part of a continued series created by our apprentices about why they love theater) I could speak volumes as to why I love theatre. I could talk about the community it draws both inside the...

Why The Theater: Matthew Lewis

By Matthew Lewis Management Apprentice (This blog post is part of a continued series created by our apprentices about why they love theater) I like helping people.  Making someone feel better in any way or assisting them in a task that isn’t necessarily pleasant or...

Why The Theater: Sarah Vandewalle

By Sarah Vandewalle Education Apprentice (This blog post is part of a continued series created by our apprentices about why they love theater) My first theatre experience was playing Charlotte Sowerberry, a funeral director’s daughter, in our local church’s production...

Why The Theater: Jessica Richmond

By Jessica Richmond Scenic Carpentry/Technical Apprentice (This blog post is part of a continued series created by our apprentices about why they love theater) Everything about theater compels me -- its immediacy, its intimacy, its relevance. Theater is so here, now,...

A STORY OF HOPE

by Avery Daniels                                                                                                                                                                                   Dramaturgy/Education Apprentice I think The New Electric Ballroom is a...

SAYING GOODBYE TO STERNO

by Jenna Worden                                                                                                                                                                                        Stage Management/Production Apprentice Being the Assistant Stage...

THE GIRL WHO WORKED WITH HEIDI DALLIN

by Avery Daniels                                                                                                                                                                                   Dramaturgy/Education Apprentice I miss Heidi. As I sit here, trying to...