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Yellow Bird Chase

by Liars & Believers
March 9th & March 10th @ 3:00 PM

Yellow Bird Chase

by Liars & Believers

A bumbling maintenance crew finds a magical yellow bird, and the mad chase begins. Racing over land, across the sea, and through the air, battling pirates and monsters, how far will our heroes go… without ever leaving the storage room? Leap into a world of imagination!

Bring the whole family down to Gloucester Stage to join Liars & Believers on an adventure of masks, puppets, and gibberish. This delightful romp was a smash hit at  the Edinburgh Fringe Festival and is fully accessible to the Deaf and hard of hearing community, as well as to non-english speakers.

Yellow Bird Chase is appropriate for ages 2+ and is fully accessible to Deaf and hard of hearing community as well as non-English speakers.

Written by the LAB Ensemble

50 min with no intermission

Learn More about Liars & Believers

Jesse Garlick / Capitano Marco Cantolop Del Potrudo

Jesse Garlick is a theatre maker and educator located in Boston. Previous Liars & Believers credits include Who Would Be King, Yellow Bird Chase and Talk to Strangers. Off-Broadway credits include Good (PTP/NYC). Regional credits include Good, Assassins (New Repertory Theatre), Journey to the West, Arcadia (Central Square Theatre), Beowulf (Poets Theatre), Salome (Bridge Repertory Company), A Midsummer Nights Dream (Classic Repertory Company). Jesse is also a faculty member at the ECI department at Boston Ballet and is the freshman drama teacher at Newton South High School. He received his BFA in Acting from Boston University and has studied at the Dell’Arte Program in Arezzo, Italy.

Rachel Wiese / Tootles McBarglehorn

Rachel Wiese, LAB Artistic Associate: Who Would Be King. Regional: Metamorphoses, and Wildflowers (Zach Theatre). Boston area: Beowulf (Poet’s Theatre). Austin area: Lifelines and Hometeam (Vetworks), Sacred Space Redux and A Streetcar Straight to Hell (The Exchange Artists), Frankenstein and The Jungle (Trouble Puppet Theatre), Marvelous Things, People Will Talk About You Sometimes, and Her Little Prince (Poison Apple Initiative), Oceana (The Vortex). Filmography at imdb.com. She is also the Producing Artistic Director of The Exchange Artists, exchangeartists.org.

Glen Morre / Poodge

As an artistic ensemble member with Liars & Believers, Glen Moore played Saul in Who Would Be Kingwhich he helped devise over the course of 2015. He was last seen in the New England Regional Premiere as Gene in The Last Schwartz with Gloucester Stage Company. Boston area credits include; BLINDERS (Flat Earth Theatre), The Importance of Being Ernest (Moonbox Productions), Of Mice and Men (Boston Children’s Theatre), CLOSER (Bad Habit Productions), Of Mice and Men (Moonbox), The Time of My Life (Zeitgeist Stage Company),  And Nither Had I Wings to Fly (BHP),  Arcadia (BHP), Eurydice (Independent Drama Society) Regional Theatre; Speech And Debate (Curious Theatre Company). He holds a B.A. in acting from The University of Northern Colorado and also studied briefly at The National Theatre Conservatory. Glen is an Equity Membership Candidate with AEA and has worked as an acting coach in Boston and Denver both privately and with Model and Talent Management Agency. He would like to thank his friends and family for all their support.

Rebecca Lehrhoff / Ruffles Featherbottom

Rebecca Lehrhoff (Ruffles Featherbottom, Props & Scenic Design) is a LAB company member based in Somerville MA whose work ranges from acting, theater devising and dance to set design, art installation and mural painting. Rebecca first appeared in a LAB production dancing Butoh in the company’s co-LAB, Interference. She’s also been a part of LAB’s production of Who Would Be King, taking the show from ART’s Oberon to the Philly Fringe and most recently to Ars Nova’s Theater 511. Last spring she appeared at the BCA Gala performing in LAB’s two-person silent mask piece, built for the occasion. Rebecca holds a MFA in Contemporary Performance from Naropa University and a B.S. inTheater from Skidmore College. Previous acting credits include: The Princess & The Pea, (Imaginary Beasts), Beowulf, (Poets’ Theatre), Sacred Spaces Redux(Exchange Artists), Enigma Variations, (Flat Earth Theater), The Good Woman of Setzuan, (Fort Point Theater Channel), King Arthur, (Poets’ Theater), Beck: Song Reader(Chimera Lab Dance Theater). Select scenic design credits include: How Soft the Lining (Bad Habit Productions), From the Sea to Somewhere Else (Flotsam Productions), The Farnsworth Invention (Flat Earth Theater- IRNE Award- Best Fringe Show), Polish Joke(Titanic Theater Company), and Chalk (Fresh Ink Theater).